Entries in Neon (81)
A River of Neon
Atomic Liquors has anchored East Fremont since the above-ground testing days of Las Vegas history.
Fremont Street in the late 1950s:
The Yucca Motel:
Fremont Street the mid-1950s:
The Holiday Motel:
The Gateway Motel (next door to Dona Maria's):
The Somerset Motel:


Details on our upcoming Mid-Century Modern Las Vegas weekend.
TICKETS ARE NOW ON SALE!!!!!!!!
Thank you for being so patient! We've got the preliminary details (with more to follow) but we figured it was best to get rolling on this so that our readers could start making plans!
The Friends of Classic Las Vegas and the Architectural and Decorative Arts Society present:
Mid-Mod Marvels: A Celebration of Mid-Century Modern Architecture and Design
The Events:
Living the Mid-Mod Lifestyle Party:
The fun begins on Friday evening, Oct. 22nd with a reception at the famed Morelli House. The Junior League of Las Vegas has graciously agreed to open their doors for a cocktail party to kick off our weekend of Mid-Century Modern madness.
Alan Hess will be there to say a few words about not only the era of Mid-Century Modern but also provide a bit of history about the Morelli House.
The reception starts at 5:30 pm and goes until 7:30 pm. Tickets are $25.
Mid-Century Modern History and Las Vegas
We kick-off Saturday afternoon, Oct. 23rd at the National Golf Course's (originally the Stardust Golf Course) Clubhouse with two panels on the era and Las Vegas.
The first one: Mid-Century Modern Architecture, Design and Las Vegas begins at 1:00 pm:
Panelists include Alan Hess, architect William Krisel, Chris Nichols and Dr. Robert Tracy talking about the influence of architects such as Welton Beckett, Wayne McAllister and Paul Revere Williams on local architects such as Walter Zick, Harris Sharp, Hugh Taylor and the influence of Mid-Century design on Las Vegas.
The second one: A Look Back at the Las Vegas News Bureau begins at 3:00 pm:
The Las Vegas News Bureau helped put Las Vegas on the map in the Mid-Century Modern era. The photographers captured not only the stars of the era but also the buildings and hotels of the era, most of which are gone or altered way beyond their original design. Panelists will include: former News Bureau manager, Don Payne.
In the evening of Oct. 23rd, we will present the Las Vegas premiere of the documentary, "William Krisel, Architect" at 6:30 pm.
The documentary, produced by Design OnScreen and directed by Jake Gorst, looks at the life and the influence of William Krisel. Known mainly for his Mid-Century Modern architecture in California, Mr. Krisel's influence on the residential architecture of Las Vegas can be seen in the Paradise Palms neighborhood. Working with developer Irwin Molasky, Mr. Krisel designed the homes in that subdivison.
Following the screening, the will be a Q&A session with Alan Hess and William Krisel.
Tickets for Saturday's events are $20.00
Mid-Century Modern Las Vegas Bus Tour:
On Sunday afternoon, Oct. 24th, we will offer a double-decker bus tour highlighting the Mid-Century Modern neighborhoods of Las Vegas. This will be a different tour route than the one we did last year with new open houses at two Mid-Century modern homes. Neighborhoods we will glide through include Marycrest, Paradise Palms and the Scotch Eighties.
The tour leaves from the Reed Whipple Cultural Center at noon, include a stop at the Morelli House and will last three hours. The bus will return to Reed Whipple at the end of the tour.
Please be aware, like last year, seating for the tour is limited.
Tickets are $20.
Now, if you want to save a few dollars, you can buy a three-day pass for $50. Passes and individual tickets will be available on the ADAS website. As soon as they have the page up, we will post a link here.
So, start planning your wardrobe and your itinerary, because this is going to be one great weekend you won't want to miss!
Support for this great weekend provided by:
City of Las Vegas Historic Preservation Commission
Sponsors for this great weekend are:
The Junior League of Las Vegas
Nevada State Museum, Las Vegas
Terry Wilsey


The Union Plaza: A Look Back to the Beginning
We've had a couple of emails from people asking about the Union Plaza and wanting to see more pictures about the Train Depot, Union Park and what was there before the Union Plaza was built.
Thanks to our good friend, Dennis McBride, at the Nevada State Museum, Las Vegas we can do just that.
This is an aerial shot of Union Park with the Train Depot sitting in the background with the train tracks behind the Depot. In the foreground, you get a glimpse of the Las Vegas Club neon sign and roof line and a small glimpse of the Golden Gate neon sign on the left.
This is the Train Depot looking east. Union Park is front with the Las Vegas Club across the street. To the left of the Depot is part of the Cashman Dealership.
This is looking just south of Union Park and the Train Depot. In the foreground is the Golden Gate. Across Main Street is the Greyhound Bus Terminal and Von Tobel Lumber.
Rendering of the Union Plaza Hotel. Though the rendering credits Stanley J. How and Associates in Omaha, Nebraska, the local firm of Walter Zick and Harris Sharp were involved as well.
Construction begins on the Union Plaza. The Las Vegas Club and the Golden Gate are in the foreground. The Train Depot has yet to be torn down.
More coming!!!!!


A smattering of photos of Mid-Century Modern things we love
Our dedicated readers will remember our good friend, Allen Sandquist who goes by the name of RoadsidePictures on Flickr.
A few years back, he broke preservationists hearts by moving to Idaho. But, because photography is in his heart, he has been preserving via his camera places in Northern Nevada and in southern Idaho.
Some of his photos have been featured in a new book, "Quintessential Boise: An Architectural Journey"
Here are some photos that I really love and I hope you do, too:
Nifty Mid-Century Modern vintqage bowl:
Pole Lamp (we had a similar one in my childhood home in Charleston Heights)
Covey's Little America near Boise
Cal Neva Lodge in Lake Tahoe
Holiday Motel in Elko, NV
Club Silver Dollar in Elko, NV
El Rancho in Wells, NV
The Star Bar and Dining Room, Elko, NV
These cow pokes used to adorn the sign on the beloved but gone Mapes Hotel in Reno. Today the preside over the Folklore Center in Elko!
Sands Motor Inn in Reno, NV looks like an homage to the famous Sands sign in Las Vegas!
As much as we miss him in Las Vegas, we thank him for letting us show of some of his recent work and congratulate him on his success in Boise!


Mid-Century Modern Las Vegas at the Nevada State Museum: How the Exhibit Works
Dateline: Las Vegas
Guest Blogger: Dennis McBride, Curator of History, Nevada State Museum, Las Vegas
When Lynn asked me to guest blog about the Nevada State Museum’s upcoming Mid-Century Modern Las Vegas exhibit, she wanted me to share how I chose the images that will be exhibited, and how I decided what examples of Mid-Century domestic and decorative arts to use in the cases.
Museum patrons who see finished exhibits don’t know what goes into building displays--they either like what they see or they don’t, and that depends upon how well or how badly the curator has put everything together. I work with a great deal of intuition, but once in awhile--accidentally, it seems--I work deliberately. Lemme see what I can tell you about our new exhibit.
To be frank, I didn’t know very much about Mid-Century Modern architecture and style until the Lynn and the museum sponsored the Mid-Century event last October 3. I got hooked, and wanted to do something with material that no one had seen before, or had not seen in more than a generation. The museum has in its archives the photograph collection of J. Florian Mitchell, who was renowned as a photographer in New York in the 1920s, ‘30s, and ‘40s, before coming to Las Vegas in the early 1950s.
When I came to work here in 2007, part of my self-appointed task was to reorganize the photo collection and make it more accessible. When I dug through Mitchell’s thousands of prints and negatives in the museum’s vault, I was astounded at the breadth of his Las Vegas subjects, which included images photographers ordinarily wouldn’t care much about recording. In addition to hotels, casinos, and Las Vegas celebrities, I found images of long vanished shopping centers, banks, motels, restaurants, schools, and government buildings. Nearly all of these were taken in the 1950s and ‘60s, during the height of the Mid-Century Modern movement. I saw images that gave me an entirely different idea of what Las Vegas once looked like, and how perfectly it fit into the Mid-Mod style for a relatively brief period of time. How could I publicize these photos in a way that would inspire Las Vegans to look at their city’s past in a different way? Motivated by Lynn’s enthusiasm, I started planning a Mid-Century Modern exhibit of Las Vegas’s past.
With so many images to choose from, how would I pick what best represented Las Vegas architecture in the 1950s and ‘60s? Lynn made an initial search through the collection, and I made a second and third, mining the negatives for what I thought people might like to see. Rather than choose images of familiar landmarks, I largely chose photos of buildings that are either vanished or so changed that their present appearance bears no resemblance to the original. For example, the original McCarran International Airport today seems mysterious, alien, and beautiful in its Mid-Modern simplicity. The original rotunda of the Las Vegas Convention Center seems far more substantial than the present stack of boring blocks. Maude Frazier Hall at UNLV sits behind its lawn looking cool, elegant, and more inviting than the gravel lot that replaced it last year. With these and other images, I’ve tried to show that Las Vegas then was far more architecturally daring and beautiful than it is today.
So far, so good for the images--but I also wanted the exhibit to ground patrons in that period in a way that two-dimensional images cannot. I needed artifacts that people could relate to personally. I decided to include an exhibit of Mid-Century “domestic and decorative arts.” Think dishes, pots and pans, utensils, ashtrays, vases, cook books and recipe boxes. How would such objects convey a sense of Mid-Century modernity? Through their shape, their material, and their use. When people think of the 1950s and ‘60s from this perspective, they think of Pyrex, Tupperware, and Melmac; they think biomorphic, boomerangs, parabolas, rounded squares, domes; they think pink, turquoise, and chartreuse. We took those shapes and colors as the frame for the exhibit hall, and then I went on a six-month search through Goodwill, Salvation Army, Savers, and whatever yard sales I drove by for exhibit items. I built a case of colorful melamine dishware; fanciful Pyrex casseroles, carafes, butter dishes and nested bowls; bright orange Tupperware measuring spoons; a set of Russel Wright’s American Modern dishes in chartreuse, with their strange biomorphic shapes; a vintage Teflon-coated sauce pan with a sweeping lid; a garish green-and-gold leaf dish from a California pottery; and a black, understated Hyalyn pottery bowl.
These are artifacts to which people can relate: Grandma cooked green-bean casseroles in a Pyrex bowl just like that Moon Deco piece with the big red dot; Mom kept a pair of Scandinavian Modern candlesticks just like those on the sideboard in her dining room; my uncle, who smoked Chesterfields, kept an ashtray like that on his nightstand; we thought nothing of eating chicken rolled in bleached white flour and fried in Crisco.
That’s how we did it, and we hope you like it. Mid-Century Modern Las Vegas will be the last major exhibit the Nevada State Museum presents before its move in 2011 to new digs at the Las Vegas Springs Preserve.

