« Before the Aladdin Hotel there was the TallyHo Hotel! | Main | Aladdin Hotel History: Fun Among the Dark Days »

The Aladdin Hotel History: The White Knight Arrives


Aladdin%20sign.jpg
 
Milton Prell had grown tired of retirement in Beverly Hills.  After opening the Sahara Hotel and overseeing its success, Prell had thought retirement would suit him just fine.  However, as George Stamos pointed out in a 1979 article about Milton Prell, "gambling pulsed through his veins".  Beverly Hills just wasn't as exciting as the Las Vegas Strip.
 
Prell started looking around at his options and discovered the King's Crown Tally-Ho and its financial problems.  He had considered spending $40 million to buy the property where the El Rancho Vegas had once stood but decided that spending $16 million for the Tally-Ho was the better deal.
 
Prell envisioned an Arabian Night motif (not unlike his first love, the Sahara) and renamed the faltering hotel the Aladdin.
He took control of the property on January 1, 1966 and immediately went to work.  He ordered a 500-seat theater built, a casino lounge, 150-seat gourmet room, renovation of all existing hotel rooms and public areas and, of course, a casino.  But as Stamos also pointed out, not just any casino "but the largest one in the state."
 
He set April 1, 1966 as the opening date.  He had his work cut out for him but construction moved ahead at a rapid clip.  He kept the original Tudor room wings which numbered 335 rooms.  A serrated cantilevered canopy, according to our good friend Alan Hess, over the front entry was, other than the signage, the only embellishment, architecturally speaking.  The architect in charge was Martin Stern, Jr. who was quickly making a name for himself through-out Las Vegas.
 
The sign was designed by Ray Larsen, Jr who was working at Yesco at the time.  Larsen and his team, which included Brian "Buzz" Leming, came up with "a surreal, loopy Aladdin's lamp that pushed the boundaries of sign design" writes Alan Hess.  The sign team quickly dubbed it "the ice cream chair" (Interview with Brian Leming, 2003). 
 
aladdin%20day%20mid%201960s%20copy.gif 
 
"We built a model.  A great huge model.  The model was about six feet tall.  We rented some black light fixtures and we made a big drape drawstring that goes all the way around the model.  It was quite a production.  The architect at the time kept wanting to see it and we said no, let's wait for Milton Prell to get here.  He said "no I make the decisions here let's take a look at it."  So we showed it to him and he said "God, I hate it. That's the ugliest thing I've ever seen in my life."
 
So, we shut the drawstring and waited for Milton Prell.  Well Prell came in and the architect said "This isn't what you want."  And Milton said "No, I want to see it. Let me take a look at it."  So we opened the drawstrings and he said "Oh my God, where do I sign?"  And the architect says "You know Milton, I knew you'd love it."  (Interview with Buzz Leming, 2003).
 
The sign cost $750,000 to design and fabricate but it was a thing of beauty.  Alan Hess wrote "Yesco's sign was a free-form phantasm incorporating hints of jewelry, veils, magic lamps and fantasy."
 
Prell's new hotel opened on time at midnight, April 1, 1966.  The reason for the April 1st date, according to writer George Stamos, was that it was the beginning of a new fiscal quarter for Prell.  The opening was a black tie affair that signaled the end of a eight year building drought.  For many years the Las Vegas Strip had been waiting for tourists to fill all the rooms available at any given time.  But with Prell opening the Aladdin and Jay Sarno's masterpiece, Caesars Palace, under construction, it looked like a new day was finally dawning.  Traffic, according to Paula Clark, Prell's long-time executive assistant, "stretched from the Aladdin down to the Sands." (Writer George Stamos, 1979).
 
The Bagdad Theater was the showroom and, again, Prell upped the ante by setting a new show policy.  The showroom featured three completely different shows nightly from 8:00 pm to 6:00 am.  The precedent came in that there was no cover charge or minimum.  They were free.

 
Comedian Jackie Mason opened the Bagdad Theater with the other shows "The Jet Set Revue" choreographed by local Dorothy Dorben and a musical-comedy show featuring the Three Cheers and the Petit Rockette Girls. 
 
Prell was the largest stockholder in the new resort and on September 21st, 1966 the Nevada Gaming Commission granted his daughter, Sheila, permission to buy a 5% interest in the hotel.  Prell had set up a trust fund for her when he opened the resort.

Gaming included slots, Racehorse Keno and Pan Baccarat.  The gourmet restaurant was the Sabre Room and the Gold Room was the coffee shop.  The Aladdin had an Olympic-size pool (didn't they all?) surrounded by 30 apartment size villas left over from the Tally-Ho days. The hotel also had an 18-hole, par 3 golf course designed by golf course architect Bert Stamps.  It was billed as "the most challenging and finest par-3 golf course west of the Mississippi." (writer, George Stamos, 1979)

The other innovation was an escalator that moved patrons from the parking area to the casino.  The Aladdin was the first hotel in the state to have it.  The casino, for the moment the biggest in the state, was blue, gold and purple hued.  But people were fascinated by the escalator and it helped convey a modern feeling of convenience for the property.

A little more than a year later, the Aladdin would play host to one of the biggest events of the decade.  It was supposed to be a secret but UPI bureau chief, Myram Borders, who had grown up in Las Vegas and had returned as a well-known and respected journalist, received a call in the middle of the night. 

"This guy is saying 'I have a big story for you but I need money' and I told him the UPI doesn't pay for stories.  I suggested he call some fairly large newspapers in the East which I knew would be closed anyway.   Well, he called back awhile later saying 'no one's answering'.  I said well, what's the story and he said 'Elvis Presley is gonna get married a the Aladdin Hotel.'" (Interview with Myram Borders, 2003)

"So I went out to the Aladdin and started wandering around the hallways, kind of seeing any indication of a wedding, which I couldn't and the security guards thought I was a hooker, trying to go from room to room or something.  They were trying to chase me out of the hotel all the time and all I was doing was walking up and down hallways.  Finally, about 7:30 or 8:00 in the morning I saw one of the Nevada Supreme Court Justices, David Zenoff, walk into the hotel and I thought 'it's true'.  I asked him why he was there and he said 'I'm gonna marry Elvis Presley'." (Interview with Myram Border, 2003).

How had Elvis come to choose the Aladdin as the spot for his nuptials?  He could have been married at any hotel any town or even the Little Church of the West which was famous for its celebrity clientele.  Well, Presley and Prell, according to George Stamos, had a long-time friendship that dated back to the 1950s.  Though Presley never appeared at a Prell hotel, he was often seen in the Casbah Lounge at the Sahara during the years it played host to Louis Prima and his band, Freddie Bell and the Bellboys and many others.

According to Paula Clark, no expense was spared on the Presley wedding.  "Colonel Parker gave us instructions to use 'unlimited funds' in preparing the wedding and reception.  To miss the crowds, Prell had arranged for them to get their license down at the County Courthouse at 2:00 am.  Just before the wedding, Clark realized that there were no provisions for the press and a ballroom was quickly converted complete with donuts and coffee.

As  100 friends, family and a bevy of writers and photographers gathered to watch the King of Rock and Roll marry Priscilla, Myram Borders' story of the impending wedding hit the wire.  She had scooped them all.

priscilla.JPG 

Jackie Mason was keeping the Bagdad Theater filled but Prell wanted something more for the early morning hours.  Hotel publicist Dick Kanellis found Rusty Warren, a female comedienne who specialized in risqué humor.  Management was worried at the reaction audiences might have to her material.  Her opening night success put all their worries to rest.

Her name went up on the revolving marquee and the crowds poured in.

Another comedian that Prell signed was Redd Foxx.  Up to this point, Foxx had not yet played the Strip which would become his home in later years.  He also coaxed rock and roll legend Little Richard out of retirement and he packed the house and danced on the tables. 

Prell had big plans for the Aladdin that included a 36-story tower that would contain 700 new rooms and VIP Suites.  He planned a 750-seat convention area that was to be located on the top floor.  But, according to Stamos, funding for this ambitious project was not forthcoming and the additions never materialized.

Then fate intervened.  Prell was felled by a stroke in 1968 which forced him into retirement for good.  The hotel was put up for sale and it, like others before it, was bought by Parvin-Dohrmann, the Los Angeles based interior furnishings company. 

The deal was complex according to George Stamos.  It included a transfer of stock between Parvin-Dohrmann,  who owned the Fremont Hotel downtown and who would later purchase the Stardust Hotel,  and the Prell Hotel Company.  Over 70,000 shares of Parvin-Dohrmann stock were exchanged for all the outstanding Aladdin stock.  While there were no major personnel changes, Ed Levinson was brought in from the Fremont to manage the hotel.

Parvin-Dohrmann did not own the property for long.  On December 30, 1971 the hotel was once again sold to a group of investors that included local businessman Sam Diamond and other partners who would come into conflict with the Nevada Gaming Board.

But as the 1960s came to an end, the future was looking bright for the Aladdin Hotel.

 

wedding.jpg
 

 

The Wedding Party

 

Aladdin%20Sign%201967%20copy.gif 

The Ice Cream Chair Sign

 

07%20LVCV-Adaddin%20c1968%20LasVegas.jpg 

 

Special Thanks to RoadsidePictures, Carey Burke, Myram Borders and Brian Leming 

 

UP NEXT:

DARK DAYS AT THE ALADDIN

THE TEAMSTERS AND THE MOB INVOLVEMENT

THE THEATER FOR THE PERFORMING ARTS

AND MORE! 

 

bttn_prev-arrow.gif 


 bttn_next-arrow.gif

 

 

 

 

 


 
 
 
 

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
All HTML will be escaped. Hyperlinks will be created for URLs automatically.